scary music

The new Harry Potter came out this week, but since I'm not going to see it until this weekend, I have been watching all the old ones. Sometimes, I just listen to them while I clean the house, or paint our dirty, chipped, embarrassing stair rails a clean, glossy white. I'm doing that a bit at a time, in a relaxed, this-isn't-a-big-project way, so watching a movie and having tea during painting doesn't seem that out of place. But with Harry Potter on in the background, I hear lots of scary music. Every day, hours of scary music. Well, almost.

Scary music sometimes has a pounding beat that makes you feel like something is about to happen, sometimes the soft, sharp, high pitches make you feel creepy, sometimes it just sounds like how it feels when something really scares you all of a sudden, and you feel that adrenaline rush. (But not in a very good way. I guess some people like it. I like sugar.) That last kind of music describes having a scary feeling, rather than creates, I think.

But what makes scary music scary? It's just a bunch of sounds. What if it's only scary to us because we have been conditioned to think it is, just like we are conditioned to make sense of all music based on the scales that western music uses. (Not country, for those of you who were thinking that. By "western" I just mean, not far east or Asian and all that. Their music only sounds "weird" to us because it is based on an entirely different pitch system than ours. So, if we were used to their scales, their music would sound normal. I've probably over-simplified it, but yeah. Speaking of over-simplifying, this whole parenthetical explanation probably over-complicates what I was trying to say in the first place.)

You know, we've all seen scary movies, and maybe it's what is going on when the music happens that makes us scared. If the music were out of the context of the movie, it might not really be scary. When you hear some modern "classical" music, it can sound really strange. Even Stravinsky when you think of the rhythm in Rite of Spring, could be used as "scary" music; you could make it work in a movie, if it were not distractingly familiar. Of course, it was written for a scary sort of ballet, I guess, anyway. But some sort of dissonant symphonies or string quartets would sound scary, but if you're just sitting in a concert hall listening, they just sound strange or itchy or beautiful or whatever. They just sound like music.

I don't know...